Wednesday, February 29, 2012

AN INVESTIGATOR’S MOST IMPORTANT TRAIT

I have been asked many times what did I consider the most important trait an investigator can possess.  After many years in the investigative business, and working with many outstanding police detectives and private investigators, I believe the one trait the best ones all have is persistence.  The best way I can describe it is with the technique of canvassing a neighborhood looking for an eyewitness to an incident.  It is boring, it is time consuming, and you are constantly going from door to door with negative results.  But like I told a client recently, if you find just one eyewitness, you can break your case wide open.  If you knock on 49 doors with negative results, you keep going to the 50th one and hope to strike pay dirt.  Its going through reams of documents, its spending hours on the phone, it’s pouring through old records and court cases, just looking for that one nugget that will make your case. Its continuing to interrogate a suspect after you haven’t gotten anywhere in 2 hours, and finally asking the right question and getting a confession. Its the plodding, by the numbers, slow and steady investigators that consistently solve cases.

Wednesday, February 22, 2012

UNDERCOVER WORK AND DISGUISES

How do you make yourself blend in to your surroundings?  How do you dress if you’re doing foot surveillance or you’re undercover in a specific location and you don’t want to be ‘made’?  Most cops who start out in undercover work immediately grow a beard and long hair.  It’s almost a dead giveaway, like an undercover uniform.  When you see a neatly scrubbed guy with a trimmed beard, long hair, baseball cap, Pendleton shirt and jeans with clean hands and often times a wedding ring in a high crime area, it’s usually a cop. 

I got to be good at disguises when I worked Hollywood Vice and other undercover assignments with the LAPD Metropolitan Division.  When I started out in plainclothes undercover work I thought, “Where would be the best place to look at lots of people and figure out who didn’t look like a cop?”  Answer:  The local mall.  I would go down there and just sit for an hour or so and watch all the people walk by.  I’d take notes on individuals regarding how they dressed, walked and what things they carried.  Pretty soon I came up with a number of disguises that I tested in the field.  The hardest people to fool in those days were the street walkers in Hollywood, so if I could fool them, I could fool anybody.  Here’s a list of just some that I used:

1. Car accident victim-I wore a whiplash neck brace.  For added effect, I would put a plaster cast (taped) on my non-shooting hand.  If I had someone in the car, I would act like I had difficulty turning my head.
2 .Crutches-I’d practice walking with crutches so I had the gait down.  I’d also use a taped on plaster foot cast for added effect.
3. Emergency room scrubs-I put on a pair of scrubs with a stethoscope in my pocket as I drove or walked around.
4. Baseball Uniform-During baseball season I’d put on a baseball uniform and have a bag of bats, balls and a glove or two in the car.
5. Workout clothes-Shorts, sweatshirt or T shirt, towel around the neck and gym bag with a racquetball paddle sticking out. I’d also have a dirty towel along with wet socks and T shirt in the bag.
6. During an interior bank stakeout, I was dressed in a dark suit and tie sitting at a desk in the bank.  I had a shotgun between my legs along with a handgun in the wastebasket next to me.  I also had another gun on my hip.
7. Passed out drunk-On one occasion I had to be the guarding officer for an undercover female officer on a ‘Trick’ task force.  I wore an old watch cap, my old Marine Corps horse blanket overcoat, rubbed in axle grease around my face and hands, rubbed on some cheap wine for aftershave, and for the piece de resistance, mixed wine and oatmeal in a bag and poured it on the ground when I ‘passed out’ just a few feet away from the undercover female on Sunset Blvd in Hollywood.  Pedestrians literally stepped over me like I was part of the scenery.
8. Homeless-Working undercover with my partner in the Skid Row area of Los Angeles, I dressed in an old Navy pea coat, watch cap, unshaven beard, dirty jeans, and carried a sleeping bag tied by some rope over my shoulder.  We followed two car burglars for over three hours before they broke into a car and we arrested.
9. Santa Claus outfit-I arrested 4 different prostitutes who propositioned me on Christmas Eve driving around in a Santa Claus outfit.  I even put a pillow under my costume to have the fat man look. 

Here’s the bottom line regarding disguises; the sky's the limit. Use your imagination and have some fun in the process.

Wednesday, February 15, 2012

INVESTIGATING CELEBRITY DEATHS

With the recent death of singer Whitney Houston in Beverly Hills, there has been a rash of media reports regarding the police investigation into the death.  Despite the sensational news headlines, celebrity deaths are for the most part, investigated the same way as any other death. 

Once the police are notified of a death, the first officers at the scene will initially maintain the location as a possible crime scene.  If paramedics arrived first, they will be interviewed as to what they observed and what they did while in the location.  Oftentimes they can give a good initial indication as to the possible cause of death.  The police will attempt to find out if the decedent had been under the care of a physician for any illnesses or conditions.  They will also attempt to identify any possible witnesses (family members, friends, employees etc.) who had access to the decedent just prior to the death. 

Once the detectives arrive at the scene, they will conduct an examination of the location for any possible evidence.  If a homicide is not readily apparent, they will look at all potential manners of death.  In suspected drug related deaths, they’ll be looking for such items as prescription bottles and, or, drug paraphernalia (syringes, narcotics, crack pipes etc).  If it appears to be a suicide, they’ll be looking for indications on the body as to the cause of death such as a gunshot wound, ligature markings (hanging), slit wrists etc.  They’ll also be looking for the instrument that caused the injury (gun, knife, rope, pills, etc.) along with the proximity of the body to the item(s).  Interestingly, many times a suicide decedent does not leave a suicide note, contrary to popular belief.

Photographs of the death scene are usually taken.  The detectives will attempt to interview anyone who had recent access to the decedent’s location.  If video of the location is available (hotel/motel corridors etc.) they will be reviewed.  Here in Los Angeles County, the decedent’s body is not moved by the detectives at the scene.  The Coroner’s investigator at the scene maintains control of the body.  He or she is the one that does a detailed examination of the body at the scene with the detectives closely looking on. 

If the cause of death is not readily apparent (natural, suicide, accidental, homicide) the case is considered undetermined until an autopsy is conducted.  Oftentimes the coroner’s office will hold off on a final determination of the cause of death until the toxicological results for drug analysis come back.  This usually takes approximately thirty days.  Here in Los Angeles County, the coroner’s office is the one that makes the final decision on the cause of death.

Wednesday, February 8, 2012

WAS THAT REALLY EDDIE HASKELL?

While I was in the LAPD Police Academy, they would have role playing situations for the recruits where they would have staff personnel acting as suspects in field situations.  On this one day, we were doing vehicle pullovers.  The first recruit officer went through his run and then returned to our group with a quizzical look on his face.  We all asked him how it went.  He said, “You’re not going to believe this, but the driver of the car was Eddie Haskell, the real Eddie Haskell, and he talked and acted just like him.”  Eddie Haskell was the character on the TV show ‘Leave it to Beaver’ when we were kids.  Haskell was the guy who was overly polite to everyone’s parents and was mean and ornery behind their backs.  Everybody of my generation remembered him. 
 We all thought the first guy was hallucinating until it was our turn.  Sure enough, it really was Eddie Haskell.  Well, actually, it was LAPD Officer Ken Osmond, the actor who played the character of Eddie Haskell in the show.  After the show had its full run, he had joined the LAPD.  At the time I was in the academy, he was one of the staff instructors.  He looked exactly as he did when he was on TV.  He later became a motorcycle officer with the department.  Can you imagine getting pulled over by a motor officer and getting a traffic ticket and looking up and seeing it was Eddie Haskell!  I’m sure he had a lot of funny stories as to how people reacted to him when he cited them.
The dangers of police work caught up to Ken Osmond.  He went in foot pursuit of a suspect who shot him three times.  Two shots hit him in the chest, but luckily he was wearing a bullet proof vest.  The third shot ricocheted off of his belt buckle and he survived.  He eventually retired from the job.

Wednesday, February 1, 2012

WHAT TO DO IF YOU LOSE A VEHICLE TAIL

What do you do when you lose your Subject?  Believe me; if you do enough surveillances, it’s inevitably going to happen.  Especially on one person vehicle surveillances, there is no margin of error.  Sometimes you don’t make it through a red light, or the Subject’s vehicle makes a lane change and you’re suddenly cut off, or traffic swallows you up and you lose sight of the vehicle.  You try to plan for every contingency, but things happen. Whatever the reason, if you lose sight of the Subject’s vehicle, the first thing to try to remember is not to panic.   Often time you can find the Subject once you resume travel, so keep driving.  Look down the side streets your passing and you might spot his vehicle.  There’s a good chance that another upcoming light will have stopped him.  If you still can’t spot him, try a quick search of the area to see if he pulled over and parked.  Here’s also where a good information briefing with you client beforehandreally helps. When the client is initially providing you all the information he has on the Subject to be followed, make sure you ask the client where the Subject may be going when you’re tailing him. This is when that information will oftentimes pay off if you’ve lost him.  Head to that location now and you just might find the Subject there.  If you still don’t find him, return to the original surveillance location to see if the Subject has returned.  Give it some time, and he might just show back up.

Monday, January 23, 2012

DRIVING TIPS FOR VEHICLE SURVELLANCE

Here are some driving tips for the actual vehicle surveillance.  First, always try to do a reconnaissance or at least a Google map check of the location sometime before you do the actual surveillance.  This will help you to know when there are parking restrictions on the street, what the street parking situation looks like, likely avenues of travel, and what the subject’s home or business looks like.  When you park your car and are setup, always be sure to lock your doors and keep your keys in the ignition.  You don’t want to be fumbling around for your keys when your Subject starts to move.  Practice ahead of time on how you’re going to quickly move from the back seat to the driver’s seat.  More than likely as a PI you’ll be working alone, so be sure to stay close enough to the Subject’s vehicle when he first takes off so you won’t lose him.  Once you’re comfortably behind that vehicle, try not to bumper lock him.  Initially on surface streets, you may have to be behind him due to traffic.  That’s all right, because most drivers are unaware their being followed and never check for it.  Once you’re comfortable with the traffic flow and the way the Subject drives, you don’t have to be in the same lane in order to follow him.  Be aware of your surroundings, especially to the lanes on your right and left.  You can move into them so as not to be constantly behind the Subject.  If traveling on service streets, pay attention to the on-coming green lights in case you need to close the gap so as to make the light.  If you’re traveling on a lightly congested road or a major freeway, you can always let a car in between you and the Subject’s vehicle for cover.  If your Subject pulls over and parks, you can always drive past him and park.  Use your side or rear view mirror to view him.  If I’m sitting in the front seat when my Subject pulls away, I always like to duck down until he drives by.

Tuesday, January 17, 2012

CONDUCTING VEHICLE SURVEILLANCES

Here are some good tips to start you off about vehicle surveillances.  These are good for both private investigators and police detectives.  The first thing to look at is your vehicle.  Try to use one that is a neutral colors or lighter shades of gray or blue.  Stay away from the garish colors like red or orange because they really stick out.   Try not to use a white or black vehicle, because they also stand out.  The next thing to look at is to use a vehicle that blends in to the area.  In cities and suburbs, small SUVs are perfect because so many people drive them.  The next thing to think about is what can people see inside your vehicle when their close up.  Most vehicles come with at least the rear passenger and rear windows tinted.  Here in California you can’t have the front windshield or front driver and passenger windows tinted.  You can still cut down on the lighting by using a good front sunscreen shield.  You can also hang dark clothing on the side window hooks to cut down on light and interior visibility.  Next thing to think about is creature comforts.  Make sure you thoroughly clean all your windows, both inside and outside, before you leave home base.  There is nothing worse than having difficulty seeing through on-coming headlight glare at night due to dirty windows.   You’ll need bottled water, protein bars and I always bring a peanut butter and jelly sandwich and some fruit.  Remember, you’re going to be in this vehicle for potentially four hours plus.  You definitely need something to use if nature calls.  I like to use something with a large rounded top, like a Snapple bottle or a hospital urine bottle.  Bring some pillows you can use to prop up your neck and back against the seat for creature comfort.  If you’re uncomfortable and moving around in the vehicle, this will cause it to shake and possibly give you away.  I like to bring a small portable radio to listen to on low volume because it helps the time go by.  Do not bring any reading material because you have to concentrate at all times.  If you’re a smoker, don’t do it in the vehicle.  Make sure the dome light is off or rendered useless.  Nothing worse at night then getting out of the vehicle and having the dome light silhouette you.

Sunday, January 8, 2012

WHEN IT RAINED BULLETS IN THE CITY OF ANGELS

Back when I worked as a police officer and homicide detective for the LAPD in South Central Los Angeles in the 1970s and 1980s, it was a custom there that on New Year’s Eve the local citizens would fire off their guns in celebration.  You would hear a cacophony of gunshots from 11:30 PM on New Year’s Eve till about 1:00 AM New Year’s Morning.  If you were working patrol during those hours, you would try to get back to the station and sit in the parking lot to avoid getting hit.  I vividly recall pulling into the station parking lot and seeing a guy who lived in one of the apartments next to the station run out on his porch and fire a bunch of rounds from his gun into the air right around the stroke of midnight.   If you couldn’t make it back in by then because you were on  a call, as soon as you cleared that scene you’d at least try to make it to a freeway underpass if you weren’t close to the station.  It wasn’t that people took a free pass to shoot at the cops, it was just that there were so many guns down there and so many rounds going off you might become an accidental casualty.  Newton’s Law of Gravity, what comes up must come down, definitely plays into effect here.  All those rounds being shot in the air have to go someplace, so if they go up, eventually there going to go down. They also come down at the same speed they went up.  My homicide partner at 77th Street Division handled a murder that happened just around midnight one New Year’s Eve where the unfortunate victim happened to be walking down the street when a spent bullet  came down and hit him on top of the head, killing him instantly.  With so many people firing their guns off in celebration in the area, how were you going to identify the shooter?  The case went unsolved. One year we put a tape recorder on top of the station on New Year’s Eve and left it up there for about an hour.  When we played it back, it sounded like the Battle of Hue City (Viet Nam).  So every year when I celebrate the New Year, my memories take me back to the one night each year when it rained bullets in the City of Angels.